In the very autobiographical 8 1/2, Fellini had created a new visual language designed to reflect the streams of consciousness - the movement between reverie and reality - of his own overactive mind. Juliet of the Spirits, the twin masterpieces that preceded it. Which is actually kind of worse.įellini’s film on the other hand is a majestic, despairing and entirely achieved work, and a fitting companion piece to 8 1/2 and Aside from the icky coup of casting his then wife Jane Fonda opposite her brother Peter as the love interest, Vadim’s piece in particular is just flat out un-cinematic - poorly paced, badly framed, somnambulistically performed. The anthology film in question was called Spirits of the Dead, and its other two Poe installments - Metzengerstein, directed by Roger Vadim, and William Wilson by Louis Malle, both have their fans, though I personally find them both unrelievedly dull. You like trippy 60s decor Pit and the Pendulum is the scariest, along with The Premature Burial - an independent production Corman mounted starring AIP regular Ray Milland when Price proved unavailable.īut by far the most stylish film to come out of the Poe cycle is a distant adjunct: Fellini’s Toby Dammit, created as one segment of an international Poe omnibus film that was actually distributed by AIP in America, with the characteristic addition of a deliciously over-ripe linking narration from Price. Corman’s Masque of the Red Death is probably the best of the bunch if
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It’s also a film that wouldn’t exist if schlockmeister Roger Corman hadn’t made a series of variable but ambitious Edgar Allan Poe movies for American International Pictures, starring the ultimate movie hambone, Vincent Price.Ĭommenced in 1960 and spanning about a decade of production, the AIP Poe Cycle created runaway hits by the standards of B-moviedom, in part because it featured A-minus level production values, including period costumes and color cinematography by the likes of Nicholas Roeg.
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We've partnered with several distributors to bring some of the great programming we are known for directly to your homes! Your rental of any of these films helps support the Gables Cinema during these difficult times.įor information on how to stream the films, please click here.Alternately hilarious, terrifying and garishly beautiful, Toby Dammit (1968) is the Fellini masterpiece you’ve never heard of - the last full flowering of a protean genius’s most fully realized cinematic period. And in Marker's influential sci-fi classic La Jetée (Terry Gilliam's inspiration for 12 Monkeys and told strictly via still photography), a man travels through time to a moment in his childhood that holds the key to averting World War 3. In Fellini's Toby Dammit - a loose adaptation of Edgar Allan Poe's "Never Bet the Devil Your Head" - an alcoholic actor (Terence Stamp) suffers from disturbing visions while trying to make a film in Italy's famous Cinecittà film studio. Viewing Window: 7 days to start, 72 hours to finishįederico Fellini and Chris Marker come together in this double feature from Janus Films.
"The greatest science fiction movie I’ve ever seen." -Pauline Kael on La Jetée Now Available Virtually "Marvelous: A short movie, but a major one.a kind of postscript to La Dolce Vita, the picture of an exhausted, once beautiful person handing his soul over to the devil." -Vincent Canby, The New York Times, on Toby Dammit
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